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“Redux Redux,” an inventive and fresh take on both multiverse storytelling and revenge thrillers. When we say we want original cinema, THIS is the kind of film we’re talking about. Emotionally intelligent, violent, and armed with an excellent premise…the kind of film that is full of surprises and an engaging grit that keeps you locked in until the final frame.

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Safdie’s final product feels more self indulgent than self reflective, and approaches the material at arms length and a sort of meandering disinterest in his subject. At no point in “The Smashing Machine” does it feel like the director personally connects to his story or work, leaving the film to be a rather pedestrian sports biopic dressed up as an auteur’s vision.