Author: Derrick Murray

Robert Eggers’ “The Northman” feels more like a tapestry of masterful visual storytelling than a complete film narrative.

“Samurai Rabbit” lets Netflix do some babysitting for you, or throw something on as semi-white noise while you try to adult on the weekend.

I’m not really sure what to make of the upcoming “Barbie” film from Greta Gerwig. Either Warner Bros is calling in a ton of favors or the the film has a god-tier script. There is just no other explanation as to why so many people are signing on to be cast in this film. It’s basically a “Knives Out 2,” where the list of actors who aren’t in the film is smaller than the list of people IN the film. I don’t know that anyone asked for this, but WB Studios seems to be taking the John Hammond expense and…

You’re going to be hard pressed to find a film more enjoyable and funny than “The Unbearable Weight of Massive Talent.”

Love him or hate him, David Cronenberg has carved out a place among the elite filmmakers for making movies you remember. Those memories aren’t always good ones, but he is an undeniable tour de force, both in success and failure. After an 8 year hiatus from feature films, Cronenberg returns with “Crimes of The Future.” Fans of his work were probably skeptical that this was a real thing, but there is a teaser to prove its existence. And boy oh boy, does it look like everything you’d expect from the strange, body obsessed horror director. Interestingly enough, Cronenberg’s second feature…

Here are 5 under the radar movies you may not have seen that Nerdbot’s film team recommend, and where to find them!

Skateboarding icon Tony Hawk is a man driven by greatness, even at the expense of his own health and well being.

“Swimming with Sharks” is worth the watch, for nothing else, it’s good old fashioned Hollywood sleaze and drama we all love.

Both Sundance and SXSW had a large collection of solid midnighters this year. Many of these stand outs went over well with critics. So well in fact that horror streaming platform Shudder made made bids for as many titles as they could get their hands on. While many of their purchases were worth the price, they can’t all be gems. “The Cellar” is the kind of horror film you’d expect to have been released in 2002, and that is NOT a compliment. It would fit perfectly in a time when countless subpar, below average, by the numbers horror films seemed…

“Tiny Tina’s Wonderlands” is worth the price of admission, and worth making time to play even if that time is limited.