One benefit of seeking out as many films as time will allow is that you get to experience a plethora…
Browsing: Review
With “The Flash,” Warner Bros. Pictures and DC Comics managed to deliver an enjoyable entry into their much-maligned canon. To…
“Across the Spider-Verse” sets a new precedent for what animation can do. It is the pinnacle of modern technical mastery.
“The Boogeyman” is a middling horror film that struggles to balance the effective atmospheric haunts with muddled horror cliches, leaving it unable to mask its obvious trauma allegories and maintain consistent horror intrigue that feels on the cusp of delivering but falls short.
“Wrath of Becky” injects a healthy dose of humor amidst its gruesome slaughter-fest, and though it struggles at times to sustain its simplicity, it has enough to be an entertaining follow up and intrigue in the sequel it wants to make next.
You Hurt My Feelings” may be the funniest, smartest film of the year so far, and Holofcener’s terrific script paired with her patient direction helps solidify this kind of high praise.
The Little Mermaid” does little warrant its purpose or necessity, bogged down by its abysmal underwater CGI and inescapable desperation to be newly relevant
“The Covenant” is an effective albeit formulaic war action film that delivers the thrills and action, with a story that feels meaningful and compelling and overall thrilling ride you’ll find hard to turn off once it starts.
“Fast X” takes a step back to go forward, drawing from the insanity and over the top energy of Jason Momoa to deliver a fun, bombastic, ridiculously silly but enjoyable one last ride
“The Pope’s Exorcist” knows what it is, what it wants to be, and who it has at the forefront of their product. This combination allows the film to be more fun than it should be despite having really nothing to offer.