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    Home»News»Jake Paul vs Mike Tyson: The Latest Disgrace to Boxing
    NEW YORK, NEW YORK - MAY 13: (L-R) Mike Tyson and Jake Paul speak onstage at the press conference in promotion for the upcoming Jake Paul vs. Mike Tyson boxing match at The Apollo Theater on May 13, 2024 in New York City. (Photo by Sarah Stier/Getty Images for Netflix)
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    Jake Paul vs Mike Tyson: The Latest Disgrace to Boxing

    Heath AndrewsBy Heath AndrewsMay 16, 20245 Mins Read
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    Boxing used to be a sport with a sense of pride and dignity to it. Yes, it’s violent and aggressive, but it has a physicality to it that is supposed to put two fighters on even ground, to prove who is the the better fighter. It’s supposed to illustrate who can outfight the other given a set of rules and a fight style that is fairly set, yet still has room for variation, finesses, and technique. Over the last several years, Jake Paul has made a mockery of this and that disgrace is set to continue in his upcoming fight with Mike Tyson.

    NEW YORK, NEW YORK – MAY 13: (L-R) Mike Tyson and Jake Paul (Photo by Sarah Stier/Getty Images for Netflix)

    On July 20th, Paul and Tyson are set to compete in a professionally sanctioned boxing match in Arlington, Texas. That sentence should not exist. Oh, it’ll also be streamed on Netflix.

    Jake Paul has spent the last four years cherry picking fights that could make him look good, without actually being that impressive of a victory. Yes, he beat big names like Nate Diaz and Anderson Silva, but they were both mixed martial artists and 12 and 22 years older than Paul respectively. If you don’t think those things matter, then you don’t understand how important age is in a fight and how vastly different boxing and mixed martial arts are. Meanwhile, yes, Mike Tyson is/was a professional boxer, who hasn’t had a professional fight in 19 years, hasn’t won a fight in 21 years, and arguably hasn’t been in his prime since 1997.

    NEW YORK, NEW YORK – MAY 13: Jake Paul (Photo by Sarah Stier/Getty Images for Netflix)

    The thirty year age gap between Paul and Tyson should have been more than enough to prevent this fight from being sanctioned. Somehow, someway, the Texas Department of Licensing and Regulations gave the approval for the fight. I’m sure that the marketing pressure had something to do with it; after all this fight will be aired live on Netflix and it will draw massive, guaranteed numbers. It’s a gimmick fight and admittedly, it’s an alluring one. So many people want to see Jake Paul get knocked the hell out, and Tyson has a legacy through pop culture that almost no other boxer has. Lennox Lewis was one of the most dominating fighters of the ’90s and early ’00s, but who outside of the boxing world remembers him? He didn’t have a cameo in “The Hangover” and he wasn’t the face of “Punch-Out!!” for the NES.

    I have no love for Jake Paul and would love to see him taste the canvas, however the guy is only 27 years old, he has legitimately trained enough to at least be a talented amateur boxer, and he’s a big guy. His one professional defeat came from Tommy Fury, a legitimate boxer who’s two years younger than Paul. You’d think this would bode well for Iron Mike, but that age gap is a massive hurdle to overcome. When it comes to heavyweight fights, it only takes one good punch to knock someone out. Unfortunately, a younger fighter is more likely to weather a good punch more than an older fighter; that’s just the way our bodies work. Training and expertise can only do so much against the ravages of time and there’s a much higher chance of Tyson getting seriously hurt as opposed to Paul.

    In the lead up to the fight, Paul stated, “I think everyone else is underestimating me and I believe that I hit harder.” Honestly, he may be right.

    NEW YORK, NEW YORK – MAY 13: Mike Tyson (Photo by Sarah Stier/Getty Images for Netflix)

    This fight should not be happening. The fact that it’s set for eight rounds at two minutes a piece, instead of the traditional 10 rounds at three minutes, seems to be a small concession to that fact. According to Tyson, he specifically wanted the shorter rounds, “because I wanted more action. If we only have two minutes, we’ll fight more.”

    I have no doubt that Tyson can still pack a wallop with his punches, and I’m sure that there’s the potential to knock Paul out with a good clean hit. All that said, even at the tail end of Tyson’s professional career, he was not what he once was. Go and watch his two final fights, losses to Kevin McBride and Danny Williams, is it logical to assume Tyson has improved since then?

    NEW YORK, NEW YORK – MAY 13: (L-R) Katie Taylor and Amanda Serrano (Photo by Sarah Stier/Getty Images for Netflix)

    Regardless of who wins the fight itself, Jake Paul is already a winner financially. The fight is being produced between Netflix and Most Valuable Promotions, a company that Paul himself co-founded. The undercard fight of Katie Taylor vs Amanda Serrano is actually a legitimate contest, and the fact that MVP is handling that bout gives a bit of hope towards maintaining some honor in the sport of boxing, even as it has been supplanted by MMA as a sporting event.

    We’ll see what happens when Paul and Tyson duke it out on July 20th on Netflix. Here’s hoping that that the main event doesn’t do even more harm to the sport itself, to Tyson’s reputation, or his body.

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    Heath Andrews

    Heath Andrews has been a student of pop culture ever since he found himself to be the only student in 3rd grade who regularly watched "Get Smart" on Nick-At-Nite. Ever since then he's been engrossed in way too much media with a growing collection of music, books, comics, TV on DVD box sets, and a video game collection that could rival a brick and mortar store. Prior to writing for Nerdbot he's written for Review You, MyAnimeList, and various advertising companies.

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    Most studios searching for a match-3 level design company are looking for five different things. Some need levels built from scratch, others require a live game rebalanced before churn compounds, and some demand a content pipeline that won't fall behind. These are different problems, and they map to multiple types of companies. The mistake most studios make is treating "match-3 level design" as a single service category and evaluating every company against the same criteria. A specialist who excels at diagnosing retention problems in live games is the wrong hire for a studio that needs 300 levels built in 2 months. A full-cycle agency that builds from concept to launch isn't the right call for a publisher who already has engineering and art in place and just needs the level design layer covered. This guide maps 7 companies for match-3 level design services to the specific problem each one is built to solve. Find your problem first. The right company follows from there. What Match-3 Level Design Services Cover The term "level design" gets used loosely in this market, and this causes bad hires. A studio that excels at building levels from scratch operates dissimilarly from one that diagnoses why a live game's difficulty curve is losing players (even if both describe their service the same way on a website). Match-3 level design breaks into four distinct services, each requiring different expertise, different tooling, and a different type of partner. Level production — designing and building playable levels configured to a game's mechanics, obstacle set, and difficulty targets. This is what most studios mean when they say they need a level design partner, and it's the service with the widest range of quality in the market. Difficulty balancing and rebalancing — using win rates, attempt counts, and churn data to calibrate difficulty across hundreds of levels. Plus, this includes adjusting live content when the data shows a problem. Studios that only do level production typically don't offer this. Studios that do it well treat it as a standalone service. Live-ops level design covers the ongoing content pipeline a live match-3 game requires after launch (seasonal events, new level batches, limited-time challenges) sustained at volume and consistent in quality. This is a throughput and process problem as much as a design problem. Full-cycle development bundles level design inside a complete production engagement: mechanics, art, engineering, monetization, QA, and launch. Level design is one function among many. Depth varies by studio. Knowing which service you need before you evaluate a single company cuts the list in half and prevents the most common mistake in this market: hiring a full-cycle agency to solve a level design problem, or hiring a specialist to build a product from scratch. The List of Companies for Match-3 Level Design Services The companies below were selected based on verified credentials, named shipped titles where available, and the specific service each one is built to deliver. They are ranked by how well their capabilities match the service types outlined above. A specialist who does one thing exceptionally well sits above a generalist who does many things adequately. SolarSpark | Pure-play match-3 level design specialist SolarSpark is a remote-first studio built exclusively around casual puzzle game production. With 7+ years in the genre and 2,000+ levels shipped across live titles including Monopoly Match, Matchland, and KitchenMasters, it is the only company on this list that does nothing but match-3 level design. Level design services: Level production, difficulty curve planning, fail-rate balancing, obstacle and booster logic design, live-ops pipeline, competitor benchmarking, product audit and retention diagnostic. Verdict: The strongest pure specialist on this list. When level design is the specific constraint, SolarSpark is the right choice. What they do well: Every level is built around difficulty curves, fail/win balance, obstacle sequencing, and booster logic, measured against targets before delivery. Competitor benchmarking is available as a standalone service, mapping your game's difficulty curve and monetization structure against current top performers with specific, actionable output. Where they fit: Studios with a live or in-development game that need a dedicated level design pipeline, a retention diagnostic, or a one-off audit before soft launch. Honest caveat: SolarSpark does not handle art, engineering, or full-cycle development. Logic Simplified | Unity-first development with analytics and monetization built in Logic Simplified specializes in Unity-powered casual and puzzle games, with match-3 explicitly in their service portfolio. Operating for over a decade with clients across multiple countries, the studio positions itself around data-informed development: analytics, A/B testing, and monetization are integrated into the production process. Level design services: Level production, difficulty progression design, obstacle and blocker placement, booster and power-up integration, A/B tested level balancing, customer journey mapping applied to level flow. Verdict: A credible full-cycle option for studios that want analytics and monetization treated as design inputs from day one, not as post-launch additions. What they do well: Logic Simplified builds analytics and player behavior tracking into the design process. Their Unity expertise is deep, and their stated MVP timeline of approximately three months is competitive at their price point. India-based rates make full-cycle development accessible without requiring a Western agency budget. Where they fit: Studios building a first match-3 title that needs the full production chain handled by a single vendor, with analytics built in from the start. Honest caveat: No publicly named match-3 titles with verifiable App Store links appear in their portfolio. Ask for specific live game references and retention data during the first conversation before committing. Cubix | US-based full-cycle match-3 development with fixed-cost engagement Cubix is a California-based game development company with a dedicated match-3 service line covering level design, tile behavior, booster systems, obstacles, UI/UX, and full production on Unity and Unreal Engine. 30+ in-house animators can cover the full scope of puzzle game production. Level design services: Level production, combo and difficulty balancing, blocker and locked tile placement, move-limit challenge design, booster and power-up integration, scoring system design. Verdict: A viable full-cycle option for studios that need a Western-based partner with transparent fixed-cost pricing and documented match-3 capability. What they do well: Cubix covers the full production chain in one engagement, with strong visual production backed by an in-house animation team. Their fixed-cost model is a practical differentiator for studios that have been burned by scope creep on previous outsourcing contracts. Staff augmentation is also available for studios that need talent to plug into an existing pipeline. Where they fit: Studios that want a US-based full-cycle partner with predictable budgets, cross-platform delivery across iOS, Android, browsers, and PC, and a single vendor to own the concept through launch. Honest caveat: Named shipped match-3 titles are not prominently listed in their public portfolio. This is a verification gap worth closing during vetting, not a disqualifier on its own. Galaxy4Games | Data-driven match-3 development with published retention case studies Galaxy4Games is a game development studio with 15+ years of operating history, building mobile and cross-platform games across casual, RPG, and arcade genres. Match-3 is a named service line. What distinguishes them from most studios on this list is a level of public transparency about retention data. Their case studies document real D1 and D7 numbers from shipped titles. Level design services: Level production, difficulty curve development, booster and obstacle design, progression system design, LiveOps level content, A/B testing integration, analytics-based balancing. Verdict: The most transparent full-cycle option in terms of real retention data. For studios that want to see numbers before they hire, Galaxy4Games offers evidence most studios keep private. What they do well: Their Puzzle Fight case study documents D1 retention growing to 30% through iteration. Their modular system reduces development time and costs through reusable components, and their LiveOps infrastructure covers analytics, event management, and content updates as a planned post-launch function. Where they fit: Studios that need a data-informed full-cycle match-3 partner and want to evaluate a studio's methodology through published results. Honest caveat: Galaxy4Games covers a broad genre range (casual, RPG, arcade, educational, and Web3), which means match-3 is one of several service lines rather than a primary focus. Zatun | Award-winning level design and production studio with 18 years of operating history Zatun is an indie game studio and work-for-hire partner operating since 2007, with game level design listed as a dedicated named service alongside full-cycle development, art production, and co-development. With 250+ game titles and 300+ clients across AAA studios and indie teams, this agency has one of the longest track records. Level design services: Level production, difficulty progression design, level pacing and goal mapping, game design documentation, Unity level design, Unreal level design, level concept art. Verdict: A reliable, experienced production partner with a long track record and genuine level design depth. What they do well: Zatun's level design service covers difficulty progression, pacing maps, goal documentation, and execution in Unity and Unreal. Their 18 years of operation across 250+ titles gives them a reference library of what works across genres. Their work-for-hire model means they can step in at specific production stages without requiring ownership of the full project. Where they fit: Studios that need a specific level design or art production function covered without a full project handoff. This can be useful for teams mid-production that need additional capacity on a defined scope. Honest caveat: No publicly named match-3 titles appear in Zatun's portfolio, their verified work spans AAA and strategy genres; match-3 specific experience should be confirmed directly before engaging. Gamecrio | Full-cycle mobile match-3 development with AI-driven difficulty adaptation Gamecrio is a mobile game development studio with offices in India and the UK, covering match-3 development as an explicit service line alongside VR, arcade, casino, and web-based game development. Their stated differentiator within match-3 is AI-driven difficulty adaptation. Thus, levels adjust based on player skill. Level design services: Level production, AI-driven difficulty adaptation, booster and power-up design, progression system design, obstacle balancing, social and competitive feature integration, monetization-integrated level design. Verdict: An accessible full-cycle option with a technically interesting differentiator in AI-driven balancing. What they do well: Gamecrio builds monetization architecture into the level design process: IAP placement, rewarded ad integration, battle passes, and subscription models are considered alongside difficulty curves and obstacle sequencing. The AI-driven difficulty adaptation is a genuine technical capability that more established studios in this market have been slower to implement. Where they fit: Early-stage studios that need a full-cycle match-3 build with monetization designed in from the first level. Honest caveat: No publicly named shipped match-3 titles are listed on their site — request live App Store links and verifiable retention data before committing to any engagement. Juego Studios | Full-cycle and co-development partner with puzzle genre credentials and flexible engagement entry points Founded in 2013, Juego Studios is a global full-cycle game development and co-development partner with offices in India, USA, UK, and KSA. With 250+ delivered projects and clients including Disney, Sony, and Tencent, the studio covers game development, game art, and LiveOps across genres. Battle Gems is their verifiable genre credential. Level design services: Level production, difficulty balancing, progression system design, booster and mechanic integration, LiveOps level content, milestone-based level delivery, co-development level design support. Verdict: A well-resourced, credible full-cycle partner with a flexible engagement model that reduces the risk of committing to the wrong studio. What they do well: Juego's engagement model is flexible: studios can start with a risk-free 2-week test sprint, then scale to 20+ team members across modules without recruitment overhead. Three engagement models (outstaffing, dedicated teams, and managed outsourcing) let publishers choose how much control they retain versus how much they hand off. LiveOps is a named service line covering analytics-driven content updates and retention optimization after launch. Where they fit: Studios that need a full-cycle or co-development partner for a match-3 build and want to test the relationship before committing to full project scope. Honest caveat: Puzzle and match-3 are part of a broad genre portfolio that also spans VR, Web3, and enterprise simulations. How to Use This List The seven companies above cover the full range of what the match-3 level design market offers in 2026. The quality range is real, and the right choice depends on which service type matches the problem you're trying to solve. If your game is live and retention is the problem, you need a specialist who can diagnose and fix a difficulty curve. If you're building from zero and need art, engineering, and level design bundled, a full-cycle partner is the right call and the specialist is the wrong one. The honest caveat pattern across several entries in this list reflects a real market condition: verified, named match-3 credentials are rarer than studios' self-descriptions suggest. The companies that couldn't point to a live title with an App Store link were flagged honestly. Asking for live game references, retention data, and a first conversation before any commitment are things you can do before signing with any studio on this list.

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