“Bad Boys Ride or Die” is good and better than the last one, but it still stifles its stars and takes its focus away too often from the things that make these characters so beloved.
Browsing: in theaters
“Hit Man” is what Nicole Kidman means when she says “We come to this place for magic.” It is seriously that good, way too good for Netflix.
“Furiosa: A Mad Max Saga” comes close to delivering the sort of witness me epic we’ve hope would deliver a lovely day, but in the end falters to becomes just another run of the war rig.
With the summer blockbuster and festival season in near full swing, now begins the hardest time to keep up with…
It is not uncommon for prominent actors to explore other roles in the film industry. Plenty of actors have tried…
“Kingdom” may look beautiful, but it simply cannot escape the pitfalls of soft reboot and franchise syndrome; the kind where the movie itself feels more like a trailer for the film they want to make in the future instead of a fully fleshed out film of its own.
“The Fall Guy” may overstay its welcome with plodding pacing and an incoherent narrative, but it is so much damn fun that those things don’t matter.
“The Ministry of Ungentlemanly Warfare” is the hottest people you’ve ever seen being the most charming they’ve ever been gleefully killing Nazis for 2 hours.
“Civil War” is a voiceless void of visceral visuals, a film constantly at odds with how well it is made juxtaposed by how disengaged it is from its own narrative
“Monkey Man” may not all come together in totality, but where it works it shines and where it falters it still shows incredible promise for what can come next.