“Five Nights at Freddy’s” is an elevator pitch that is working out its bad ideas in real time, unconcerned with making a coherent and engaging film and instead trying to litter the whole film with frames from its source material in hopes that people will enjoy it.
“Pain Hustlers” is a diet “Wolf of Wall Street” with a splash of sugar free “Big Short”. It wears its inspiration on its sleeve to little effect, and never works hard enough to have a voice or commentary of its own.
There is so much to love about “Killers of the Flower Moon,” and no matter where you land on the film, it possesses an inescapable quality of longevity.
The character of Frasier Crane premiered on television in the fall of 1984, when he was introduced in “Cheers” season…
Ever since the early 19th century, Edgar Allan Poe has captured the imagination of untold millions with his tales of…
Magic happens when a razor sharp script meets great performers under the helm of a confident director, and “Fair Play” has all three in spades.
“The Burial” is crowd pleasing comfort food, the kind of film that warms your soul even if you can telegraph every emotional beat and outcome beforehand.
Everyone’s favorite god(s) of mischief return for “Loki” season two, and things are going to get more complicated than ever.…
Love him or hate him, Wes Anderson has managed to maintain his own auteurist vision his entire career. Never once…
“The Creator” is a craft film, one that excels in its visuals, landscapes, cinematography and even sound design to create a unique and boundary pushing sci-fi entry. But sadly there’s little else to hold onto once the visuals fade, and what’s left is a collection of unrealized ideas and scrambled ambitions that collide in a mush of theme-less storytelling.
