“Hellraiser” 2022 is a beautiful bordello of bloodletting, but lacks the human villainy, cohesion, pleasure, and horniness of its original.
Browsing: Review
“God’s Country” will most likely be a criminally underrated film, one that falls victim to its understated release and overlooked intensity underneath its slow burn unfolding.
“Hocus Pocus 2” is as good as the original and whatever that means to you, you’re probably right.
“Famous” is a tried and true feel good story, one that uses music, redemption and friendship to conjure up good vibes all around.
“Blonde” is as exploitative as the exploitation it depicts, and without nuance or actual care for its subject, you’re left to interpret the mean spirited nature yourself.
“The Munsters” is cringe in all the wrong ways, operating with no real ideas or story and as funny as a bad sitcom with all the laugh tracks deleted.
“Do Revenge” is a surprisingly fun and funny black comedy that balances its satire and commentary with a thoughtful, fun to watch narrative
Netflix’s “Dahmer” is an Evan Peters performance showcase and little else. Painfully dull, exhaustingly familiar.
“The Empty Man” manages to be better than the sum of its parts, and despite taking some missteps along the way it sticks the landing.
“The Woman King” is everything epic action movies are made of, and makes a strong case to be one of the best films of 2022.