“The AI Doc: Or How I Became an Apocaloptimist” is one of the best documentaries at Sundance and an absolute must see for everyone. It timely, urgent, and funny all in equal measure and is impossible to come away from without some kind of impact.
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A deeply unserious and cartoonishly satirical sledgehammer to the art world filled with over the top characters, campy dialogue, hyper stylized camera work and a largely single setting location.
“Shitheads” is at its best when it is pushing the limits and not as concerned about what it all means, letting his cast have as much fun with the material and characters as they possibly can and more than willing to accept any and all ideas.
There’s nothing quite like seeing a premiere on a festival midnight slate. The crowd is hype and electric, bursting with…
“Tuner” simply lacks for nothing across the board of great, crowd pleasing cinema. It is convention done right, sticking to the proven formulas of crime capers and simultaneously giving you everything you know while also giving you something that feels fresh and unique.
More of a character study and bit more melodramatic than its propulsive predecessor, “Greenland 2” is still a worthy successor to an underrated success, one that is sure to be satisfactory for fans even if it at times feels like a retread of diminishing returns.
“Primate” keeps its premise simply, its violence gnarly, its runtime lean and mean, and its effects practical. It is pure, unadulterated monkey business, owning every part of its wacky premise and giving you exactly what you asked for every chance it gets.
“Avatar: Fire and Ash;” it’s just more of the same for better or worse…Lacking its ingenuity and true character development, this third installment only reestablishes lines in the sand rather than do anything to guide people across.
After the mildly received “The Smashing Machine,” the cautious optimism and tepid intrigue for “Marty Supreme” felt palpable. Many were…
“Hamnet” is a near masterpiece, a beautiful portrait of loss and grief and love and art gorgeously framed with intimate natural light and deep emotion. It’s one of the best films of the year.