“Oh Hi!” is a sort of millennial “Misery” told through a series of unfortunate situationships. There’s an earnestness from Brooks’ direction and screenplay that allows even the most outlandish events to remain hopelessly charming and romantic.
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It’s a big swing and even bolder execution from a filmmaker who dives head first into both with complete abandon, and that approach is always going to draw lines in the sand. Though I feel good about what I think “Eddington” is trying to say, I’m still not entirely sure what to do with a film like this.
On July 15th, President Donald Trump’s “big beautiful bill” moved forward after Vice President J.D. Vance broke a 50-50 tie…
The Writers Guild of America (WGA) has issued a statement condemning CBS for their frankly shocking decision to end “The…
It’s almost like something out of a bad romantic comedy; a couple goes out to a concert and ends up…
“I Know What You Did Last Summer” feels more unnecessary than even the most unnecessary sequels out there. It has forgettable, second screen watchability and is hardly fit for the big screen.
Never underestimate the allure of dinosaurs. Despite being extinct for hundreds of millions of years, these enigmatic creatures continue to…
You have to respect workhorse filmmakers who bang out 3 films a year and rarely miss. It’s a class of…
In honor of San Diego Comic Con (SDCC) 2025, Toynk and Brickcraft are launching a new line of exclusive sets!…
It is a raw nerve constantly exposed that feels both timely and important but slightly undercooked and incomplete. I guess it’s a testament to how powerful it actually is; “Life After” is a film I struggle to fully embrace and agree with but would also recommend it as a must see.