This is a “Nerd Voices” contributing piece from Nerdbot reader Chris McAuley. You can find him on his video game and comic book blog or Facebook!
Playing through Castlevania: Symphony of the Night I am struck by how the visuals have stood the test of time. It was indeed a clever move by Konami to shrug off any pressure that they felt to jump on board the 3D train for this iteration of Castlevania. Indeed the 32 bit era was a time for transition in the game industry. The Sony PlayStation introduced widespread use of 3D graphics, leaving many to disregard 2D as inferior, dated and useless. The era also marked a shift away from games being able to be beaten in a single sitting which typified many leading titles of the 8 bit and 16 bit era to longer games requiring multiple save game states to beat.
In this respect Konami responded, not with bleeding age 3D effects (which would have looked dated by now – and affected the longevity and affection that this title has garnered over the past two decades) to create an action/role playing hybrid – a style of game in the series which has been known as Metroidvania, due to it’s similarity with the Metroid style exploration seen on the NES and Super Nintendo eras preceding it.
After defeating the Count – the story moves forward five years, as a character last seen in Castlevania 3: Dracula’s curse on the NES – Dracula’s own son, Alucard awakens from a self imposed slumber, just as Dracula’s castle appears once again. Richter has mysteriously disappeared and Alucard grabs his sword and sets off on a path to confront whichever force has brought the crumbling Citadel back after it’s apparent destruction.
The controls of this game are vastly smoother than the previous iteration, with Alucard moving quickly and with elegance. Two attack buttons are used for his left and right handed weapons, or for different items or shields as equipped by the player. In addition to the standard double-jump Alucard can transform into various forms to help him defeat various enemies and explore the castle fully. The Bat – allowing you to fly, The Wolf – allowing you to swim and run fast and The Mist- allowing you to squeeze through tiny gaps in the walls.
This game is also a bit of a loot gatherers dream, there’s an amazing amount of weapons to collect which affect your personal statistics in different ways, this propels you onwards in order to continually max out your stats, the other RPG element added to this title is the fact that after each enemy you defeat you are awarded experience points and eventually you level up.
There are over twenty bosses to find and defeat in Symphony of the Night, some use the Playstation’s power very effectively and stretch over over screen. Legion for example is a mass of featureless human bodies amassed together in the shape of a giant globe. The Lord of the flies himself Beelzebub is a giant rotting corpse impaled on meat hooks.
Alucard’s animation remains the centerpiece of the game, but the games backgrounds have fantastic detail, muting the bright colours of previous iterations and bringing a truly gothic feel, the backgrounds do feature some sparing 3D effects – flowing clouds in the belfry and the beauty of the stained glass windows in the chapel. This brings a unique feel to each area, more subtle are the strange elements of the castle which go towards making it feel…alive. One example of this is the weather effects in the outer area, they change periodically. The variety of enemies and detailed animation add to the experience, whereas in past iterations they may have only been 4 or 5 different standard enemy types, in Symphony there are over a hundred.
Please pick this up in one of it’s various iterations if you haven’t played it yet. It is available from XBOX Arcade and the Playstation store and is a hidden extra in The Dracula X Chronicles on the PSP.
