“The Substance” will make you squirm and squeal as it pummels forward with white knuckle thrills and a final act that is beyond comprehension until you witness it for yourself.
Browsing: in theaters
“Beetlejuice Beetlejuice” feels tiresome at times, almost exhausting in how manic and disconnected and incoherent everything is and slows to a crawl any time Keaton isn’t on screen.
“Blink Twice” trades out narrative conclusiveness for parabolic social commentary, but unfortunately doesn’t have anything new to say about any of the myriad of topics it wants to discuss.
“Strange Darling” takes all the familiarity of erotic crime thrillers into unfamiliar territory, giving you something you know in a package you haven’t seen. It is never restricted by anything which allows “Strange Darling” to do everything
“Romulus” thrives in its visuals, and while some of its homages are a bit on the nose, it manages to use them as an advantage to ratchet up the tension with each new horrifying scenario the characters find themselves in.
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“Deadpool and Wolverine” may be the least narratively cohesive film so far, feeling more like a collection of loosely connected comedy sketches than a fully realized film. But it is so much damn fun and packed with everything fans of the series could ask for that it doesn’t really matter.
“Longlegs” is a film that heavily relies on tension and atmosphere, operating with a disorienting mileu and meticulous framing to create a slow burn, unflinching and disquieting experience that creeps into the darkest recesses of your mind and never gives you a chance to breath.