“All We Imagine as Light” is a quiet slice of life film that bursts with serenity and honesty as it explores the lives of women in and out of love.
Browsing: Review
“A Real Pain” is the real deal, a brilliantly smart road trip drama about grief and loss that seamlessly oscillates between humor and heartache in profoundly human, deeply personal yet somehow wholly universal ways.
Believe the hype, “Wicked” is worth it. It is a blast from start to finish, will make your heart sing and leave you singing with a smile from ear to ear.
It is the ambition that keeps “Bird” from taking flight. The tonal shifts from unexplained fantasy story beats injected without warning against a grounded backdrop never quite mix, leaving you more confused than intrigued or pensive.
“Flow” is must see cinema, a boundary pushing animation achievement and one of the best animated films of the year. Hell, it may very well end up being out of the best films of the year, period.
Believe the hype, “Anora” is the best film of the year. An electric, propulsive, deconstructed love story with a star making performance at the helm.
Overall, I only liked “The Piano Lesson.” Its inescapable adaptive missteps work as a detriment and make it last on the Wilson adaptive list.
Speaking as a former hardcore Christian who majored in theology and philosophy, who became a youth pastor turned foul mouth comedian turned film critic who is basically an atheist now, “Heretic” was made for me.
There’s not a whole lot out there like “Emilia Perez” and its one of the few big swings this year that actually hits the ball this time.
“Discover the real lives of early computer nerds in the 70s and 80s in ‘Early Nerds’, a collection of stories by Steve Rubin offering a humanizing view of the tech revolution.”