“Poor Things” is a wonderful world of weird, packed to brim with stunning production design, laugh out loud humor, an odyssey of self reclamation and a sexual awakening with lots and lots and LOTS of sex.
Browsing: Review
“Our Son” layered emotional characters get more arresting, mixed with queer overtones that give the film its unique heart at the core.
“Silent Night” feels regressive in the most disappointing ways, delivering a few action set pieces that are decent enough but don’t wow and are surrounded by dull, muted (literally) melodrama that, when you strip away the shtick of silence, becomes no more than the sum of its redundant and uninspiring parts.
“American Fiction” is a can’t miss comedy and one of the best films of the year.
“Godzilla Minus One” is a thrilling action drama, packed with plenty of action, genuine emotion, characters you actually care about, and the meanest Godzilla you’ve ever seen.
It’s that time of year again. The time were we start to reflect on the films we’ve seen this year…
For all its provocation, “Saltburn” fails to cohesively reconcile its shock with its purpose, leaving its characters in a limbo of confusion instead of nuanced complexity.
“Napoleon” shines on the battlefield, but is so incoherent and messy elsewhere it becomes impossible to decipher what this nearly 3 hour historical epic is suppose to be.
There’s a much larger discussion to be had about Netflix’s role in film acquisitions out of festivals. What that means…
When “Squid Game: The Challenge” was announced as an inevitable “real life” version of the global phenomenon “Squid Game,” we…