“Inside Out 2” is a fascinating blend of simplicity and complexity, a retreading of its original (sometimes to a fault) but imbued with an emotional intelligence that captures more nuanced storytelling.
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“Backspot” is a propulsive, thoughtful examination of competitive sports with a unique framework, a keen eye for visual flare behind the camera and terrific performances.
“Bad Boys Ride or Die” is good and better than the last one, but it still stifles its stars and takes its focus away too often from the things that make these characters so beloved.
“Hit Man” is what Nicole Kidman means when she says “We come to this place for magic.” It is seriously that good, way too good for Netflix.
“Furiosa: A Mad Max Saga” comes close to delivering the sort of witness me epic we’ve hope would deliver a lovely day, but in the end falters to becomes just another run of the war rig.
With the summer blockbuster and festival season in near full swing, now begins the hardest time to keep up with…
It is not uncommon for prominent actors to explore other roles in the film industry. Plenty of actors have tried…
“Kingdom” may look beautiful, but it simply cannot escape the pitfalls of soft reboot and franchise syndrome; the kind where the movie itself feels more like a trailer for the film they want to make in the future instead of a fully fleshed out film of its own.
“The Fall Guy” may overstay its welcome with plodding pacing and an incoherent narrative, but it is so much damn fun that those things don’t matter.
“The Ministry of Ungentlemanly Warfare” is the hottest people you’ve ever seen being the most charming they’ve ever been gleefully killing Nazis for 2 hours.